October 27, 2013: #88 – Mike Essoudry and Linsey Wellman
- Mike Essoudry – drums, clarinet
- Linsey Wellman – reeds
Also without Essoudrys make a Herzensbrecherin such as Jerome tender rattle and Glöckchenpercussion and Wellmans of spicy Reedton seductively at the taste buds and caps to create itself. They blow and strew bloom dust and spices of the Orient in the brain and produce hallucinations loaded by camel caravans, with oranges and Datteln. The place, to which the fantasy is carried forward, lies in the Mesopotamia, if also not the material today. RK Mashu and Uruk just like shame-has + Enkidu and Uta Napishti to set itself on the traces of Gilgamesh. The Sopranosax sinks itself in arabesque conference area, with Parekeresken trills with talks trifishes. The clay/tone becomes sometimes so rau and serious, as it requires the longing, and pretty often so beautifully that one would like itself to throw into the sand. The Gilgamesh cycle The Gadfly Suite follows, those with Shostakovichs Ol. together, and with County fair a freejazziger trip has 97 only the names on a folk festival without bustles and besoffenes people.
Rigobert Dittmann in Bad Alchemy (by way of Babelfish)